'I don't watch my films more than once, otherwise I will fall in love with myself.'
The top posts on social media from your favourite Bollywood celebrities.
Sreehari Nair reviews Ayyappanum Koshiyum.
Movies, like all forms of great art, are not meant to tell us how we ought to be, but honestly document how are.
Here's a look at the top 10 tweets from your favourite Bollywood celebrities.
'Saif is very passionate as an actor. He is always thinking way ahead. He wants to make movies for the future. He doesn't necessarily stick to the current trends.' Director duo Raj Nidimoru and Krishna DK discuss Happy Ending.
Is Priyanka Chopra headed towards yet another big hit?
'It's a performance that puts the Bachchan hysteria to shame,' observes Sreehari Nair.
What your favourite celebrities are saying on social media.
The top posts on social media from your favourite Bollywood celebrities.
Siva Sankar looks at S P Balasubrahmanyam's fantastic repertoire.
Here's a look at the top 10 tweets from your favourite Bollywood celebrities:
Rashme Sehgal took a ride on the Gatimaan Express for you.
Here's a look at the top 10 tweets from your favourite Bollywood celebrities
'If the 7 million estimate is true, then either our understanding of the past was all wrong or the economy has changed dramatically but so surreptitiously that we did not even notice it,' says Mahesh Vyas.
Before Vishal Bharadwaj's advent, several Hindi filmmakers had attempted screen adaptations of Shakespeare's various works, with varied success.
The ultimate good guy, bad guy ranking for your favourite TV show!
The top posts on social media from your favourite Bollywood celebrities.
'Films were made on a very low budget, so if there was a small defect, we would let it pass, and audiences often didn't catch those defects.' Shyam Ramsay tells us his 'horror' story.
'This is a movie, which if you allow it to, will wash itself all over you, so that you emerge from it a little drenched but wide awake,' says Sreehari Nair.
'I have a goal that one day, before audiences walk into a theatre, they will think that it's a Taapsee Pannu film and so, it will be worth their time and money.'
Syed Firdaus Ashraf wonders why no one objects to jokes about Rahul Gandhi, but are upset when Lata Mangeshkar and Sachin Tendulkar are mocked.
'Sudhir Mishra takes us into the dreams and fears of our politicians, into their self-deceiving pitches, and he shows us their demons and angels,' says Sreehari Nair.
It is the two women directors in Shuruaat Ka Twist who end up making the best films, feels Sreehari Nair.
Lingaa can get tiresome, especially with the too-long fight scenes, but remains constantly watchable because of the miraculously light way in which Rajinikanth continues to wear his megastardom around him, says Raja Sen.
'They are busy making films that suit their purpose. If it suits their purpose to make a Slumdog Millionaire, they will make it.' 'Why are we so upset about not getting an Oscar or producing Oscar quality work? Just look at the quality of work that is venerated by the Oscars. It is not particularly great work. Why are we so desperate to get acknowledgment from the West?'
Part of what make Ee.Ma.Yau so special is its ability to focus our attention on things that conventional movies throw away under the pretext of storytelling, says Sreehari Nair.
'Movie plots clearly don't excite director Dileesh Pothan as much as true stories where life had come dizzyingly close to becoming like a movie and then, had fused back with life.' 'This means that a conversation he overhears at a tea shop is more likely to give Pothan a setting for his next picture than a brainstorming session inside a conference room,' says Sreehari Nair.
We celebrate Bhattsaab and his greatest gems.
Irrfan Khan talks Piku and his next Hollywood film, the Tom Hanks starer Inferno.
Ananth Mahadevan takes on the audience.
'We are finicky, extremely detail-oriented, authoritative and we like it like that.'
A look at the top tweets from your favourite Bollywood celebrities.
The AIB Roast of Karan Johar, Arjun Kapoor and Ranveer Singh may not have gone down well with certain sections of people, but Bottoms Up's incisive social commentary, peppered with delightfully subtle double entendre, still enjoys unprecedented success.
The movies that impressed, puzzled and stunned Sukanya Verma at MAMI this year.
"When I came to India, I did not have a plan. I had no friends or mentors. The journey to success hasn't been easy. But looking back, I feel the struggle was worth it. My parents and siblings are very proud of me today," says the 23 year old, Ugochi Latoya Igwilo.
'It's very tough for someone, who doesn't have a filmi background, to get work in Bollywood. It's not a smooth ride unless you are really lucky. But I think one has to be prepared for that. I must have given 30 auditions for films alone.' Rajkummar Rao survived the struggle to give us some brilliant films.
It was the greatest series in the history of the game but what has become of those Australian and English players a decade on?
Jaane Bhi Do Yaaro is one of the best and most uncompromised films of Indian cinema, says Sukanya Verma.